Marilyn Monroe Diamond Coll V1

In The Final Days, producer-director Patty Ivins chronicles Monroe's final, aborted feature film, Something's Got to Give, which was ultimately shut down after the star was dismissed from the production. Beyond Monroe's fragile emotional and physical health, this well-crafted profile examines the financial crisis facing her studio as well as the mounting frustration of meticulous director George Cukor and his cast, including costar Dean Martin, as Monroe's absences drove the shoot over budget. The documentary concludes with a 40-minute reconstruction of footage completed for the feature, which would subsequently be reshot as a vehicle for Doris Day and James Garner, Move Over, Darling.

Buy this set along with The Diamond Collection II, and you will have most of the best of Marilyn Monroe's body of work.

The surprise DVD in this set is the "Final Days" disc, in which Marilyn's final (uncompleted) film, "Something's Got to Give" has been reconstructed to give an idea of how the finished movie might have looked.

Marilyn missed a lot of shooting days on the set of this final film, which led to her being fired in mid-production. Acdcordingly, there is a lot of plot missing in this reconstruction. However, if you watch the Doris Day vehicle "Move Over Darling", which was a retitled and completed version of "Something's Got to Give", it will fill in the gaps so that you can watch the reconstructed "Something's Got to Give" and figure out the plot.

It's wonderful that at last we have this final glimpse of Monroe's on-screen magic. She appeared breathtakingly beautiful in the surviving footage of this film. It really makes me sad to realize she didn't survive the summer of 1962 so that she could complete the filming.

Ah yes... MMMmmmarvelous Marilyn!


Of these "gems", The Seven Year Itch is my best friend   January 30, 2004
Daniel J. Hamlow (Utsunomiya City, Japan)
3 out of 3 found this review helpful

OK, finally, the six videos in the first Diamond Collection, meaning her 20th Century Fox pictures. Not all are flawless gems, but rather most are the ones she is best known for, and we get an indepth, well-detailed narrative of her aborted last movie.

Gentlemen Prefer Blondes: Yes, the musical that put Marilyn on the map after the success of Niagara. This movie is dated, but there's also the mindset of the opposites of its two stars. Lorelei Lee will simply drool over a diamond, while Dorothy drools over big pecs. Things aren't that way today. And the classic "Diamonds Are A Girl's Best Friend" led Madonna to duplicate that scene in her "Material Girl" video. Good songs and numbers mask a so-so plot and characters. Rating: 3.5

How To Marry A Millionaire: The second Cinemascope film made, Millionaire has MM teaming up with Betty Grable and Lauren Bacall, out to snag rich husbands. MM is Pola, a myopic blonde who keeps bumping into walls and things without her glasses, which she is reluctant to wear because "men aren't attracted to women who wear glasses." That's what she thinks. Again, the materialistic "money is everything" theme prevalent in the 1950's. Not bad, though. (Rating: 4).

There's No Business Like Show Business: Marilyn only has a supporting role as Donald O'Connor's love interest in this one, with the really hot Latin-flavoured "Heat Wave" number a highlight. Most of the drama in this splashy but with no substance movie goes to Ethel Merman, Dan Dailey, and O'Connor. Rating: 3

The Seven Year Itch: This has been my favourite MM film, not because of the skirt scene. For one thing, there's Tom Ewell's character, the married Richard Sherman, who has been happily married for seven years and has a great imagination, but not much esteem. Enter the Girl, a figure out of a dream, who tells him in a speech towards the end: "But there's another guy in the room, way over in the corner. Maybe he's kind of nervous and shy and perspiring a little. First you look past him, but then you sort of sense he's gentle and kind and worried, and he'll be tender with you. Nice and sweet. That's what's really exciting. If I were your wife, I'd be very very jealous of you." That cheered me up given my looks. Rating: 5

Bus Stop: The first film she did using Method acting, this is the film touted as the one where she could finally act, in her role as Cheri, a singer looking for respect who is initially flattered at the courtesy given by Bo, a green cowboy, who is so smitten at her, he intends to marry her, something that stuns her. She has no plans of marrying him, but unfortunately, Bo can't take no for an answer. Rating: 4

The Final Days: James Coburn narrates the events surrounding the making of Something's Got To Give, a remake of the Cary Grant/Irene Dunne comedy My Favourite Wife. The film would've been Marilyn's 21st, but due to her frequent absenteeism, an overdose, conflicts between director George Cukor and various writers, and the impatience of Fox studio heads desperate to be bailed out at the big slurping sound of cash draining at another debacle of a film also starring a temperamental actress, Cleopatra with Liz Taylor, it was alas not to be. Marilyn shines in some moments, such as the scene with the children. And the scene in the swimming pool is equal in exhibitionism as the skirt scene in The Seven Year Itch. She shows a bit of her derriere when she puts on the bathing gown, something that wouldn't have been allowed in the final cut, (read Mr. Hays). However, other scenes and outtakes show her in a drug-induced haze. Also included is the first 15-20 completed minutes of Something's Got To Give, where Marilyn totally shines in her scenes with Dean Martin and the children. I saw possibilities in this, as two months after being fired, MM had successfully negotiated a return to production for the film with a higher salary. That was on 1 August. Four days later, she was dead. (Rating: 4.5)

Overall rating: (3.5+4+3+5+4+4.5)/6=4.


The beautiful Eleanor Parker   December 12, 2003
Eleanor Parker is just as beautiful as Monroe, but her breasts are smaller.

Watch Parker act up a storm in "Interrupted Melody", playing the polio-stricken opera diva Marjorie Lawrence.


She's the one!   July 28, 2003
1 out of 1 found this review helpful

Marilyn Monroe in some of her best films. SHe doesn't star in all of them, but her contribution to the films is unforgettable.


An almost perfect package   June 20, 2003
Ei (Seekonk, Massachusetts)
Take "There's no Business like show business"(a completely awful movie which showcases marilyn's voice and body while the rest of it bores the heck out of you) out of this great collection of MM's films, and you have got quite a nice set of movies to feast upon. Also, the documentary, which originally aired on AMC, "The Last Days", is outstanding. Marilyn looks stunning in the footage of her last work on film that was never shown until now.
"The Seven Year Itch", "Gentlemen Prefer Blondes, "How to Marry a Millionare", and "Bus Stop"(yippee!! finally back and looking fantastic on dvd) are all great movies of Marilyn's and throwing that monstrosity I mention above in was in bad taste.
I still think it's worth buying. I got it as a gift. It is a perfect gift for the Marilyn lovers like myself.